● ● ● Selected Works💜

01 (All The Maps Marked Us) On The Margins of Their Manifesto

A body of work
Performed and exhibited at All Is Joy, London
London, 2025

An ongoing inquiry into architectural violence, examining how power, capitalism, and imperialism become embedded within the built environment. The pilot was exhibited at As Beyond, So Between, the RCA MFA Communication showcase at All Is Joy Studios, London.

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Image 1: The Performance, performed at All Is Joy, London, 2025.
Image 2: The Map, exhibited at All Is Joy, London, 2025.
Image 3: Framework map, an exhibited work in progress at RCA, London, 2025.

02 「乡遇」Homebound

Co-created with Diying Wu, Xuezi Hu, Tao Zhou, and Lixueyang Cao
Conceived under Design Innovation: Venture Creation, RCA 2025
Business planning, strategic communication, strategic social marketing
London, 2025

A proposed non-profit venture supporting communities affected by climate-induced migration in China through community-led pre- and post-migration adaptation. The project integrates folk knowledge, co-creation, and intergenerational practices to support cultural continuity and long-term resilience. Developed as part of RCA’s Design Innovation: Venture Creation course, where it was recognised as one of the cohort’s top projects.

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Image 1–5: Homebound proposal slides, presented as part of Design Innovation: Venture Creation, London, 2025.

View the proposal here.

03 Invisible Structures

Publication, co-created with Adriana Cornejo Capdevila, Jingyi Du, Yacob Sitorus, and Saud Baloch Ahmed.
Developed as part of AcrossRCA 2025
London, 2025

A research-led manifesto challenging the perceived neutrality of galleries and museums by examining the hidden systems, values, and power structures embedded within them. Presented as a printed manifesto, archive, and reference publication as part of AcrossRCA 2025’s Social Justice theme.

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Image 1: The Manifesto, poetry by Adiva Zafira.
Image 2: Editor’s Note, written by Adiva Zafira.
Image 3: Visual poetry by Saud Baloch Ahmed, from Invisible Structures.
Image 4: Cover of Invisible Structures.

View the project here.

04 Santa Re:Fashioned

Conceived under Design Resilience, RCA 2024
Speculative design, strategic communication, strategic social marketing
London, 2024

A speculative design scheme reimagining Jakarta’s Pasar Santa as a community hub for circular fashion, bringing together clothing reuse, textile upcycling, and sustainable making.

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Santa Re:Fashioned brings together clothing donation, refurbishment, textile upcycling, and community workshops to create a more circular relationship with clothing. My approach was grounded in understanding how people’s needs, motivations, and behaviours could shape an intervention that encourages meaningful and lasting participation. Developed through RCA’s Design Resilience course, the project was recognised as one of the cohort’s strongest and later led to an invitation to guest lecture for the 2025 cohort.

Image 1: Full proposal for Santa Re:Fashioned.
Image 2: Proposal poster for Santa Re:Fashioned.

View the video proposal here.

05 The Finding & Fabricating Knowhere Project

A body of work
Fabric making and publication
Jakarta, 2024

An exploration of belonging and cultural identity through the idea of “Knowhere” — a place that carries meaning but cannot be easily located. Through writing, textile-making, and book arts, the project draws on Javanese Batik and sewing traditions to reflect on memory, inheritance, and home.

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Image 1: Fabric-making experiment, Finding Knowhere.
Image 2: Batik-making experiment, Finding Knowhere.
Image 3: Cover of Fabricating Knowhere.
Image 4: Pages 10 and 14 from Fabricating Knowhere.
Image 5: Page 13 from Fabricating Knowhere.
Image 6: Pages 9–13 from Fabricating Knowhere.
Image 7–10: ‘The Annotation Book’ for Fabricating Knowhere.

06 The Noni Project

A body of work
Digital publication and exhibited artworks
Jakarta, 2023—2024

An ongoing storytelling practice centred around Noni, a fictional “Observer” who witnesses and translates the experiences of others into narratives. Through different media and perspectives, the project explores identity, memory, emotion, and the possibilities of storytelling.

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Image 1: Cover of The First Story, 2023.
Image 2: Character Design of Noni for The Noni Project, 2023.
Image 3: Cover of Phantom Desolation & Macabre Reverie, 2024.
Image 4–5: Illustrations from Phantom Desolation & Macabre Reverie.
Image 6: Documentation from the exhibition Her Ipsum: The Pursuit of Identity, Jakarta, 2024.
Image 7: Artwork from the collection of Her Ipsum: The Pursuit of Identity.
Image 8: Documentation from the exhibition Her Ipsum: The Pursuit of Identity, Jakarta, 2024.

Read the Phantom Desolation & Macabre Reverie here.
Download The First Story mini zine here.